Ramiya Sureshkumar

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Romance and romp: Two nights of Twelfth Night 
Theatre Erindale’s two productions of Twelfth Night may differ in their emphasis on the frivolous or poignant dimensions of Shakespeare’s tragicomedy, but they coincide in being captivatingly entertaining adaptations of the play.

Shakespeare’s Twelfth Night balances two distinct dimensions of elegiac somberness and overt festivity—elements that Theatre Erindale’s two casts emphasize differently….

Dendrology and deontology: A review of Michael Christie’s Greenwood Michael Christie’s Greenwood is an ecocritical tour de force that challenges us to reconceptualize our notions of kinship and belonging while fostering a deeper empathy for fellow humans and the natural environment.
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Dendrology and deontology: A review of Michael Christie’s Greenwood
Michael Christie’s Greenwood is an ecocritical tour de force that challenges us to reconceptualize our notions of kinship and belonging while fostering a deeper empathy for fellow humans and the natural environment.

Michael Christie’s Greenwood is a multifocal, multitemporal masterpiece brimming with complex characters and their intricate relationships with a resilient yet…

No catharsis with capitalist corruption: Theatre Erindale’s playful and risqué take on “The Threepenny Opera”   Theatre Erindale’s production of the bleak and satirical Brechtian masterpiece “The Threepenny Opera” is a grungy, cynical, and exuberant interpretation of this anti-capitalist classic—a must-see for theatre-goers everywhere.
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No catharsis with capitalist corruption: Theatre Erindale’s playful and risqué take on “The Threepenny Opera” 
Theatre Erindale’s production of the bleak and satirical Brechtian masterpiece “The Threepenny Opera” is a grungy, cynical, and exuberant interpretation of this anti-capitalist classic—a must-see for theatre-goers everywhere.

On Thursday night of October 3, 2024, the performers of Theatre Erindale put on their opening showcase of Bertolt Brecht…