What makes someone great?
Oscars 2025: To be great is not just to win, but to contribute to something larger than life.
Greatness refers to someone who has made meaningful contributions to a field, is hard-working, or has pushed the boundaries and left an impact on the world. When it comes to films and the arts scene, it is about the recognition and legacy someone leaves behind.
During his SAG Awards speech for Best Actor, Timothée Chalamet highlighted his passion to continue contributing to the entertainment industry, striving to become “one of the greats.” He also mentioned those who inspired him to pursue his passions, including actors like Daniel Day-Lewis, Marlon Brando, and Viola Davis, as well as athletes Michael Jordan and Michael Phelps. He recognized those who carved the path for all others to follow, who made history, who had to work twice as hard to get to where they are now, and who are well respected in the entertainment industry. Chalamet emphasized that being great is about being a part of something bigger—a legacy that will inspire others around the world.
The Oscars is an award ceremony that defines greatness in the film industry, celebrating and bringing together prestigious actors, producers, filmmakers, animators, and artists from all over the world. Winning an Oscar is one of the highest honours in this industry, symbolizing recognition for outstanding work. But even beyond the Oscars, there is another level of greatness: achieving an EGOT.
An EGOT is used to refer to an artist who has won four major entertainment awards: an Emmy, Grammy, Oscar and Tony. Only a few actors hold all four of these awards, including the aforementioned Viola Davis.
But what does it really mean to be great? Is it just about the awards, or is it about the impact on society? Many of the most celebrated films are ones with themes that spark conversations and discussion and leave people thinking about it for a long time. In this regard, greatness is not just about the triumphs but about touching lives and making a difference.
When it comes to the Oscars, the members of the Academy of Motion Picture Arts and Sciences determine who is great. However, being great isn’t just about industry recognition. It is about connecting with the audience, with peers, being looked up to and being someone who will stand the test of time.
Many artists who haven’t won Oscars have made history. As artists, they go through both highs and lows in their careers, many facing public criticism and setbacks, yet they push forward, determined to share their work and continue creating. That kind of dedication is admirable.
The perseverance to continue despite obstacles, and the courage to be vulnerable in front of the world, isn’t just about the fame. It is about the impact, the work, and the passion.
To be great is not just a win, it is about creating and contributing to something incredible that lives in the hearts of those who experience it.
While I understand where this article is coming from, given that it’s a commentary on the Oscars, I think this article could have said something new by discussing, even mentioning at the slightest, the slew of negative reactions people are having to the Oscars 2025. For example, ANORA (2024) and The Brutalist (2024) won major awards. That’s great for the actors and artists who worked incredibly hard on the film, I am not trying to discredit that. But at the same time, the industry and the act of making mass-produced and mass-distributed art has assumed a new political tone that this article could have at least mentioned.
For example, many actors in ANORA are Russian, and have publicly spread pro-Russian-Invasion-of-Ukraine rhetoric, and participated in Russian (Putin) propaganda films in their home country. What are the consequences of hailing a film that almost glorifies the Russian oligarchy during our current climate, a climate where oligarchy is on the rise in supposedly democratic countries? There’s nothing inherently wrong with celebrating ANORA, but doing so in a tone-deaf and de-contextualized manner kind of adds to the problem. Adrien Brody’s speech, also, comes across as incredibly tone deaf given the political and cultural climate surrounding discussions of anti-Semitism and what’s happening (been happening with Palestine). Also, speaking of greatness, this article could’ve gone a step further and of discussing conventional and individualized displays of “greatness” and achievement at the Oscars, could have instead mentioned the fact that this was the first time a Brazilian film won an award, or that a documentary about Israeli Occupation of Palestine (made by Palestinian-Israeli filmmakers) managed to win.
I do agree that greatness is important to celebrate and there’s many flavors of greatness, as this article discusses well. I just think this article could’ve have really spoken better to the current times, and what the Oscars 2025 means for our current cultural/political moment.